Experimental Lecture by Colonel Spanker is one of the most notorious Victorian erotic texts focusing on flagellation. It was first published in
Experimental Lecture’s notoriety is a consequence of its emphasis on non-consensual sex and the pleasurable possibilities of tormenting virtuous upper class young women. The book’s full title is indicative of this focus:
Experimental Lecture by Colonel Spanker on The exciting and voluptuous pleasures to be derived from crushing and humiliating the spirit of a beautiful and modest young lady; as delivered by him in the assembly-room of the Society of Aristocratic Flagellants, Mayfair.
Click here to read the Introduction to Experimental Lecture.
Not surprisingly, critics tend to regard Experimental Lecture as morally repellent. For example, in Henry Spencer Ashbee’s Catena Librorum Tacendorum, which was published under the pseudonym Pisanus Fraxi, an unnamed commentator (Ashbee’s ‘brother-bibliophile’ [most probably James Campbell Reddie]) suggests that Experimental Lecture is abhorrent and its obscenity is without parallel in English literature:
This book, which we can fairly assert is the most coldly cruel and unblushingly indecent of any we have ever read, stands entirely alone in the English language. It seems to be the wild dream, or rather nightmare, of some vicious, used-up, old rake, who, positively worn out… has gone mad on the subject of beastly flagellation.  (Fraxi, 1962 : 250-51)
Writing in the second half of twentieth century, Peter Fryer describes Experimental Lecture as ‘quite horrible,’ Ronald Pearsall derides its ‘unbridled sadism,’ and Antony Simpson notes its ‘pure nastiness.’ (Fryer, 1966: 118, Pearsall, 1969: 417, and Simpson, 1987: 199)
Readers who have not read Experimental Lecture will find it impossible to assess the veracity of these writers’ claims about it because they do not substantiate them. Like many writers who cite this book, they do not engage in a rigorous analysis of the text. Their criticisms appear to be based solely on the fact that it depicts the sexual degradation of an unwilling young woman and celebrates the pleasures of cruelty. Now, whilst real non-consensual sexual violence and cruelty should not be condoned because they are pernicious, their representation in fiction and fantasy is not necessarily harmful. They may be mobilised in complex ways and produce a range of negative and positive effects. Fryer, Pearsall, and Simpson do not acknowledge this. They do not explore how representations of violence, suffering, and cruelty in Experimental Lecture are deployed or examine the various effects that they produce.
Experimental Lecture’s critical reception begs investigation. Is it really as offensive as critics suggest? Is it ‘one of the most sadistic books of the nineteenth century’?  How does it mobilise representations of beating, sex, and shame? I’ll leave it to readers to form their own answers to these questions. I would like to point out, though, that Experimental Lecture’s infamous repute is well-deserved. As the following passage indicates, it revels in cruelty and is replete with scenes of suffering and humiliation:
Colonel. — “Observe well all her writhings and contortions, those tight drawers show us every muscle as well as if she was quite naked, but they also answer the purpose of increasing her shame and mental degradation, as at every cut the victim dreads they may split or still further expose her delicate charms, is it not so, Julia? Tell us if you now feel the dregs of humiliation?” giving as a wind up to his question a terribly hard cut round her buttocks, making his tips of steel puncture all over her tender mount, which is instantly suffused with little drops of blood all over its surface, and hanging like dew from the short curly hair.
Julia shrieks in agony, but not in time to avert two or three more cuts like the last, one of which makes her clitoris spurt with blood which has collected in the cellular tissues of that excitable part, she shrieks out again and again in excruciating agony: “Oh! Oh!! Oh!!! Kill me in mercy; let me die now! Ah-r-r-re!”
Colonel. — “Will you answer, please, Miss Ponsonby, we want to know (especially the ladies) what you think of your shameful position, did n’t that last cut warm your feeling a little? Eh! speak out!” as he cuts again and again on her tight looking bum, making the blood-saturated material of the drawers rend and crack under the effects of his strokes and the twisting of the victim.
There is probably something to offend everyone somewhere in Experimental Lecture but to dismiss it as abhorrent without having read it or without considering how its erotics of cruelty is deployed is absurd. Its violent eroticism can be interpreted as a black-humoured assault on Christian morality, Victorian prudery, and notions of virtue in distress.
I suspect that many descriptions of Experimental Lecture in critical literature are based on Ashbee’s account of it rather than first hand knowledge of the text. This suspicion is based on the paucity of sustained analyses of it and the fact that, prior to the Birchgrove Press re-issue, the book has been hard to obtain. An analysis of Julie Peakman’s assertion that the ‘Experimental Lecture… contains the whole philosophy which was argued to exhaustion in de Sade, bloody orgies, vivisection and torture’ confirms this conjecture. (Peakman, 2009: 27) Peakman’s statement is a clumsy paraphrase of Ashbee’s commentator’s analysis of a translated quotation from the Marquis de Sade’s Justine, which is not cited.  Referring to this quote, the commentator asserts that it contains:
the quintessence of the whole philosophy which is found argued to exhaustion in the notorious volumes of the Marquis de Sade, where he, in his wild dreams of bloody orgies, phlebotomy, vivisection and torture… lays so much stress upon the moral humiliation of the victims employed. (Fraxi, 1962: 247)
Peakman summarises this assertion in order to make a critical assessment of Experimental Lecture rather than the significance of the quote from Justine. Hence, readers may deduce that she has not read Experimental Lecture because she appears not to realise that the text which she restates is a critical response to a passage that does not occur in it.
Experimental Lecture’s publication history, notoriety, and emphasis on sexual cruelty make it an important work for studies of the development of nineteenth-century English erotica, the histories of sexual flagellation, sadism, and masochism, and Victorian attitudes towards sex and pain. It is an especially valuable work for investigations of Sade’s influence on the evolution of English erotica, which Ashbee regarded as deleterious.  Sade’s libertine fictions shape Experimental Lecture’s focus on non-consensual sex and cruelty but there are crucial differences between them. For example, in contrast to Sade’s work, Experimental Lecture does not engage in a relentless intellectual assault on Christianity, in extended analyses of nature, crime, sodomy, and cruelty, or in satirical reconfigurations of Enlightenment philosophy. Sade’s libertines expand at length on their favourite topics, often exploring beliefs and ideas’ conceptual predicates, but Colonel Spanker’s theses on flogging and humiliating modest young ladies are brief and under-developed. Their brevity enables a rapid shift from the articulation of theoretical principles to sexual acts, which, for obvious reasons (in an erotic text), are described at length. Violent sexual acts are the means by which the Colonel puts theory into practice and thus substantiates his claims.
By facilitating comparative studies with other Victorian flagellant texts, the republication of Experimental Lecture may help solve the riddle of who wrote it. Experimental Lecture’s title page does not identify the publisher, printer, or author (‘Colonel Spanker’ is obviously fictitious). This absence of information is a strategy to conceal their identities and thus render prosecution difficult. The first edition’s false imprint date also serves to hide them by conveying misleading information about the book’s publication. The provision of no information or, more frequently, deceptive information about the author, publisher, and printer is typical of Victorian books on sexual whipping.
Experimental Lecture is usually attributed to William Lazenby, a London-based publisher of clandestine erotica who was active in the 1870s and 1880s.  He is associated with the publication of some well-known Victorian erotic texts, including, for example, The Romance of Lust (1873-76), the periodical The Pearl (1879-83), and The Mysteries of Verbena House (1882). In 1876, Lazenby was charged with ‘soliciting and inciting J. G. Harris to sell, or publish certain obscene, wicked and lewd books.’ (Daily Chronicle, 16 September 1876; quoted in Mendes, 1993: 437) He managed to avoid imprisonment but, after assuming the name Cameron, was eventually tried, convicted, and imprisoned in 1886 at the age of 61 for ‘selling indecent and obscene books.’ (The Times, 26 November 1886; quoted in Mendes, 1993: 441)
The case for Lazenby’s authorship of Experimental Lecture is based on Ashbee’s account of another flagellant text, Curiosities of Flagellation (1875). In his description of this book, Ashbee states that it is ‘evidently from the same pen as the Experimental Lecture.’ (Fraxi, 1962: 257) Lazenby appears to be the author of Curiosities of Flagellation. Ashbee asserts in relation to it that ‘the publisher is also the author; his initials, W. L., terminates the address to the reader on the verso of the title-page.’ (1962: 252) If W.L. stands for William Lazenby, which is likely, and if Ashbee’s account of both books is correct, then Lazenby is the author of Experimental Lecture. If this is the case, then he is also responsible for its publication. In his entry on Experimental Lecture, Ashbee contends that ‘It is from the pen of the publisher.’ (Fraxi, 1962: 246) Ashbee was in an excellent position to know who wrote and published it because of his close association with publishers, writers, transmitters, and fellow collectors of erotica. A comparative analysis of Experimental Lecture and Curiosities of Flagellation’s stylistic, structural, and thematic elements may demonstrate that both books were written by the same person and thus confirm Ashbee’s assertions about their authorship. It could not, of course, prove that Lazenby wrote them. The argument that he did hinges on the reliability of Ashbee’s comments about them and the interpretation of the initials W. L. at the end of Curiosities of Flagellation’s address to the reader. Hence, it may be impossible to confirm that Lazenby penned Experimental Lecture.
Whilst the case for Lazenby’s authorship of Experimental Lecture is strong, it is occasionally attributed to other writers. For example, in Clandestine Erotic Fiction in English 1800-1930: A Bibliographical Study, Peter Mendes attributes Experimental Lecture to Colonel, later General, John Studholme Hodgson (1805-1890). (See Mendes, 1993: 4) Remarkably, in an otherwise rigorous and compelling study, Mendes does not explain his reasons for attributing it to Studholme Hodgson, and, confusingly, elsewhere in the same volume, he attributes it to ‘Colonel Studholm [sic] Hodgson and others’ and to Lazenby. (See Mendes, 1993: 5 and 432) Mendes does not justify these contradictory attributions and seems to be unaware that he has made them. His case for the Colonel’s authorship, therefore, is extremely weak. Nevertheless, as argued below, Studholme Hodgson is an apt candidate for the authorship of all or some of Experimental Lecture.
Before being made a general in 1876, Studholme Hodgson was a Colonel in the 54th Regiment and served in
Studholme Hodgson’s penchant for cruelty and membership in a coterie that admired Sade’s work, engaged in sexual whipping, and composed flagellant literature makes him an ideal candidate for Experimental Lecture’s authorship. Indeed, ‘Colonel Spanker’ may be a humorous self-portrait or self-parody, a pseudonym that coterie members, intimates, and associates would have recognised. Spanker and his cronies, of course, are stock figures in flagellant literature but they can be interpreted as mocking tributes to Studholme Hodgson and Milne’s clique and its passions - regardless of who wrote Experimental Lecture. The title of Colonel Spanker’s association, the ‘Society of Aristocratic Flagellants,’ is a fitting description of Milne’s circle.
It is worth noting that Studholme Hodgson is credited with writing or co-writing at least two other works of fiction focusing on flagellation and the erotics of cruelty: Revelries! and Devilries! (1867), which Ashbee states is ‘the joint production of four
A new assessment of Experimental Lecture may also solve a puzzle created by its opening paragraph:
Those of my readers who have perused the revelations of Birchington House, will recognise in our lecturer an enthusiastic apostle of the rod, who, after his voluptuous amusements at the house of Mrs. Smart, returned to London when her establishment was broken up in consequence of the unpleasant enquiries that were beginning to be made after the Misses Bellasis and Sutton, who had been their victims.
This passage clearly refers to an earlier flagellant text in which Colonel Spanker appears as a character but I have not been able to determine what book it is or if it was ever published. Miss Bellasis is a character in The Mysteries of Verbena House but it was issued after Experimental Lecture and Birchington House, Colonel Spanker, and Miss Sutton do not figure in it. It is possible, of course, that the allusion to an earlier text in the opening paragraph is simply a red-herring to generate interest. If anyone has the answer to this conundrum, please let me know!
1. All bibliographical information about the first edition of Experimental Lecture in this post is based be on Henry Spencer Ashbee’s account of it in his Catena Librorum Tacendorum (1885), which was published under the pseudonym Pisanus Fraxi. See Fraxi (1962 : 246).
2. A search of world libraries on WorldCat (http://www.worldcat.org) located only one institutional holding of Experimental Lecture. An edition privately printed in 1900 is held at the Bayerische Staatsbibliothek in
3. The ‘brother-bibliophile’ quoted in Pisanus Fraxi’s account of Colonel Spanker’s Experimental Lecture may be James Campbell Reddie (c. 1800-1878). Reddie was a central figure in the publishing world of Victorian erotica. Ashbee bought his collection of erotic books for £300 in 1877. He acknowledges the importance of Reddie’s three volume manuscript Bibliographical Notes for the development of his (Ashbee’s) work. (See Fraxi, 1962: xlviii-xlix)
4. In The Illustrated Book of Sexual Records, Experimental Lecture is described as ‘one of the most sadistic books of the nineteenth century.’ However, it is the only book described in the category ‘Flagellation: Most sadistic 19th century book,’ which suggests that it is the most sadistic nineteenth-century work dealing with sexual whipping. The Illustrated Book of Sexual Records entry on Experimental Lecture is available online at: http://www.world-sex-records.com/sex-285.htm, last accessed
5. Ashbee’s commentator quotes but does not cite the source of the following passage:
The emotion of voluptuousness can only be excited by two causes, firstly, when we imagine that the object of our desire approaches our ideal of beauty, or when we see this person experiencing the strongest possible sensations. No feeling is more vivid that that of pain, its shock is true and certain. It never misleads like the comedy of pleasure eternally played by women, and seldom really felt. He who can create upon a woman the most tumultuous impression, he who can best trouble and agitate the female organisation to the utmost, will have succeeded in procuring for himself the highest dole of sensual pleasure. (Fraxi. 1962: 247)
This passage does not occur in Experimental Lecture. It is an English translation or, more precisely, paraphrase, of a passage in D. A. F. de Sade’s Justine. Richard Seaver and Austryn Wainhouse translate this passage thus:
our voluptuous transport […] is never ignited save by two causes: either by the perception in the object we use of a real or imaginary beauty, the beauty in which we delight the most, or by the sight of that object undergoing the strongest possible sensation; now, there is no more lively sensation than that of pain; its impressions are certain and dependable, they never deceive as may those of the pleasure women perpetually feign and almost never experience [… ] he who will cause the most tumultuous impression to be born in a woman, he who will most thoroughly convulse this woman’s frame, very decidedly will have managed to procure himself the heaviest possible dose of voluptuousness. (Sade, 1965 : 606)
6. Ashbee believed that Sade’s work was a harmful influence on English erotica:
It is evident that writers of the present day have allowed themselves to be influenced by the pernicious, bloodthirsty, anti-natural doctrines of the Marquis DE SADE, and have copied the cynicism, cruelty and impracticable lasciviousness which he made the distinctive feature of his books… thus the nature of English erotic fiction has been changed, and its wholesome tone… entirely lost. (Fraxi, 1962: XLII-XLIII)
7. For a detailed summary of William Lazenby and his alias Duncan Cameron’s publishing activity , see Peter Mendes (1993: 4-7).
8. For bibliographical information on Colonel, later General, Studholme Hodgson, see Mendes (1993: 11-12).
9. For a brief but detailed account of the circle that formed around Monckton-Milnes and its association with the publishing world of Victorian erotica, see Mendes (1993: 7ff).
10. Mendes postulates that Studholme Hodgson was one of the writers of Revelries! and Devilries! (1867) and is probably the author of The Pleasures of Cruelty (1886). See Mendes (1993: 12).
Fraxi, P. [pseud. Ashbee, H. S.] (1962 ) Bibliography of Prohibited Books. Volume 3. Catena Librorum Tacendorum. Bio – Biblio – Icono – graphical and Critical Notes on Curious, Uncommon and Erotic Books.
Fryer, P. (1966) Private Case – Public Scandal.
Mendes, P. (1993) Clandestine Erotic Fiction in English 1800-1930: A Bibliographical Study.
Peakman, J. (2009) ‘Sexual Perversion in History: An Introduction.’ In J. Peakman, ed. Sexual Perversions, 1670-1890. Houndmills,
Pearsall, R. (1969) The Worm in the Bud: The World of Victorian Sexuality. Harmondsworth: Penguin.
Sade, D. A. F. de (1965) The Marquis de Sade: Justine, Philosophy in the Bedroom,and Other Writings.
Simmons, G. L. (1984) The Illustrated Book of Sexual Records. New York, Bell Publishing Company. Available online at: http://www.world-sex-records.com/
Simpson, A. (1987) ‘Vulnerability and the age of consent: legal innovation and its effect on prosecutions for rape in eighteenth-century